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1
John Liberatore — Sedgeflowers (2017–18): I. Giocando
Andrew ZhouRyan MacEvoy McCullough
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John Liberatore — Sedgeflowers (2017–18): interlude 1
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John Liberatore — Sedgeflowers (2017–18): II. Largo, senza misura
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John Liberatore — Sedgeflowers (2017–18): interlude 2
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John Liberatore — Sedgeflowers (2017–18): III. Presto possibile, molto meccanico
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Yi-wei Angus Lee — Rage Over Lost Time (2020)
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Dante De Silva — Too Sedated to Rage (2020)
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Aida Shirazi — RAGE: Screamed, RAGE: Stolen, RAGE: Silenced (2020)
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LJ White — Rage is the Bodyguard of Sadness
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Andrew Zhou — Con variazioni (2020)
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Chris Castro — Beethausenstro–Castockhoven (2020)
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Laura Cetilia — sense of missing (2020)
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Christopher Stark — Foreword (2017)
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Karlheinz Stockhausen — MANTRA (1970): Introduction and MANTRA
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Karlheinz Stockhausen — MANTRA (1970): Regular repetition
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Karlheinz Stockhausen — MANTRA (1970): Accent at the end
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Karlheinz Stockhausen — MANTRA (1970): “Normal”
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Karlheinz Stockhausen — MANTRA (1970): Grace note group around a central tone
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Karlheinz Stockhausen — MANTRA (1970): “Tremolo”
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Karlheinz Stockhausen — MANTRA (1970): Chord (accented)
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Karlheinz Stockhausen — MANTRA (1970): Accent at beginning
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Karlheinz Stockhausen — MANTRA (1970): “Chromatic” connection
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Karlheinz Stockhausen — MANTRA (1970): Staccato
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Karlheinz Stockhausen — MANTRA (1970): Irregular repetition (Morse code)
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Karlheinz Stockhausen — MANTRA (1970): Trills
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Karlheinz Stockhausen — MANTRA (1970): Sforzando accent
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Karlheinz Stockhausen — MANTRA (1970): Arpeggio-connection
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Karlheinz Stockhausen — MANTRA (1970): Postlude—MANTRA
