TIDAL
  • What is TIDAL?
  • For Music
  • For Artists
  • Culture
  • Magazine
  • Pricing & Plans
  • Download TIDAL
  • Transfer Music
  • Supported Devices
  • Get Help
  • Manage Account
  • Web Player
Start Free Trial
  • What is TIDAL?
  • For Music
  • For Artists
  • Culture
  • Magazine
  • Pricing & Plans
  • Download TIDAL
  • Transfer Music
  • Supported Devices
  • Get Help
Start Free Trial Log in
Instruments of the Orchestra (The)

Instruments of the Orchestra (The)

Various Artists
2002 HIGH

Instruments of the Orchestra: Wagner: Tannhauser: Overture

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anonymous: Domna, pos vos ay chausida

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: We don't merely use instruments, we play on them. And they play on us.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms: Hungarian Dance No. 7

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The violin is one of the most tender and beautiful instruments ever invented.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms: Violin Concerto in D Major: II. Adagio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: But for a long time it was seen as the instrument of the devil.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: The Soldier's Tale: Triumphal March of the Devil

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The manipulative seductiveness of the gypsy violin

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anonymous: Csardas Music

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The violin and the imitation of nature

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi: The Four Seasons: Spring: I. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Birds are again evoked in the second concerto, especially music's natural favourite.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi: The Four Seasons: Summer: I. Allegro non molto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Like the devil, the violin is a master of disguise.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Kreisler: Schon Rosmarin

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The menacing sensuality of Ravel's Tzigane; a very different side of the violin:

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Tzigane

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Do we now have the true measure of this instrument? Not just yet.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Paganini: Caprice No. 24

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C Minor

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Romeo and Juliet: Act IV

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi uses it to illustrate the shivering of travellers crossing the ice.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi: The Four Seasons: Winter: I. Allegro non molto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The violin muted

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Debussy: Clair de lune

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The gentleness of muted strings persists even when a whole orchestra plays.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The pizzicato violin

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strauss: Pizzicato Polka

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Violin Concerto No. 2 in G Minor: II. Andante assai

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act I

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Holst: The Planets: I. Mars: The Bringer of War

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Sonata No. 3 in C Major for unaccompanied violin: II. Fugue

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms: Hungarian Dance No. 4

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Double-stopping is a standard feature of a lot of folk music.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi: The Four Seasons: Autumn: I. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Now the same technique, but the sound might have come from another world.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Bolero

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Double-stopping can only approximate the sound of a real violin duet.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Joachim: Cadenza to the Violin Concerto by Brahms

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Now compare that with a real violin duet.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: 44 Duos: I. Teasing Song

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Another duo by Bartok, demonstrating the violin's rich lower register

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: 44 Duos: II. Maypole Dance

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: And now what may be the most beautiful accompanied violin duet in history

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Concerto in D Minor for two violins: II. Largo ma non tanto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The soul of the violin is in song; but what about this weird passage?

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Violin Concerto No. 1 in D Major: II. Scherzo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The use of harmonics in the orchestra can be both magical and unsettling.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel's harmonics in Mother Goose effect a magical transformation.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: The Firebird: Introduction

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The natural upper notes of the violins have a unique emotional "grab"

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strauss: Also sprach Zarathustra: Of the Afterworldsmen

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Still in their upper register, the violins unleash the energy of a young colt.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Elsewhere, Britten uses the same high register to create a very different mood.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: To end this outing with the violins, a charming little elfin dance

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Hellmesberger: Elfenreigen

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction to the viola

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Telemann: Viola Concerto: I. Largo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Khachaturian gets a very different sound from it: fuller, fruitier, more exotic.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Khachaturian: Gayane Suite No. 1: III. Armen's Solo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Very nearly the whole of the violin's upper register is also available to the viola.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Britten: Peter Grimes: Passacaglia, Op. 33b

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strauss: Don Quixote

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Berlioz: Harold in Italy: IV. Orgy of Brigands

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The muted viola: intimate, gentle, poignant in Dvorak

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The massed violas of the modern symphony orchestra in Mahler

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 4: III. Ruhevoll, poco adagio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The "period" viola in Bach

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Brandenburg Concerto No. 6: III. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The cello: a voice of unique nobility

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Suite No. 1 for unaccompanied cello: I. Prelude

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms and the "soul" of the cello

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms: Piano Concerto No. 2 in B-Flat Major: III. Andante

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Most orchestral composers tend to emphasise the cello's lower register.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: In the time of Beethoven the cello remained as fundamental as ever.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 3 "Eroica": IV. Finale

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: But the cello is not condemned to spend its life in the basement.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Popper: Elfentanz, Op. 39

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Not only in recital showpieces like that is the cello used in its highest register.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tavener: The Protecting Veil: opening

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A cello with an identity-crisis: the pizzicato Flamencan

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tagell: Flamenco

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Double-stopping in the lower reaches of the cello's range

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Cassado: Solo Suite for Cello and Piano: Sardana

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: It's in its middle register that the cello really comes into its own.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rachmaninov: Oriental Dance, Op. 2, No. 2

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 5: II. Andante con moto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 9: IV. Finale

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction to the double-bass

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: The Elephant

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: But the double-bass can be intensely expressive and graceful.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bottesini: Elegy No. 1 in D Major

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bottesini: Allegro di concerto, "Alla Mendelssohn"

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bottesini: Capriccio di bravura

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony No. 3: I. Kraftig

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Lieutenant Kije Suite: III. Kije's Wedding / Prokofiev: Romeo and Juliet: Act III

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 5: III. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The antiquity and magic of the flute

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Debussy: Prelude a l'apres-midi d'un faune

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The versatility and agility of the flute

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Orchestral Suite No. 2 in B Minor: VII. Badinerie

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The flute in fifteenth-century Spain

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anonymous: Sa'dawi

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Other flutes: the bass and alto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Sallinen: Chamber Music II

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The Piccolo - aptly named

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rameau: La Naissance d'Osiris: VI. Premier et deuxieme tambourin

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: From a piccolo of the eighteenth century to one of its descendants in the twentieth

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Suite No. 2 for Small Orchestra: II. Valse

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A variety of techniques

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Sallinen: Chamber Music II

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Flutter-tonguing. But Tchaikovsky got there eighty years before.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky: The Nutcracker: Act II, No. 2: Scene

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: From the transverse to the vertical: the Baroque recorder

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Telemann: Recorder Suite in A Minor: Menuet II

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: An unfamiliar, early vision of the instrument

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Baston: Naelden, Naelden

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The Bachian oboe

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction to the cor anglais or 'English horn'

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Dvorak: Symphony No. 9, "From the New World": II. Largo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The loneliness of the cor anglais

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Sibelius: The Swan of Tuonela

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The cor anglais joins the French horn in Haydn.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Haydn: Symphony No. 22, "The Philosopher": I. Adagio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction to the oboe d'amore, beloved of Bach - but also of Ravel

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Bolero

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: As the high clarinets tend to be loud, so the bass tends to be soft

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Khachaturian: Gayane Suite No. 1: V. Gayane's Solo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The range of the normal clarinet parts goes quite high...

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky: The Snow Maiden: Scene 5: Melodrama

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: ....and quite low.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Peter and the Wolf: The Cat

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The clarinet as concerto soloist

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Clarinet Concerto in A Major: III. Rondo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: But that's not the instrument Mozart wrote it for; this is:

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Clarinet Concerto in A Major: III. Rondo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction to the saxophone

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The soprano saxophone has quite a different feel to it

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bizet: L'Arlesienne Suite No. 1: II. Minuet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The little sopranino sax goes even higher

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Bolero

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The most famous use of the saxophone is in an orchestration by Ravel

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mussorgsky: Pictures at an exhibition: The Old Castle

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The saxophone can be quite contagiously good-humoured.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Wiedoeft: Sax-o-phun

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The puffa-puffa image of the bassoon

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Peter and the Wolf: Grandfather

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The Bachian bassoon, in accompanimental mode

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bizet: Carmen Suite No. 1: V. Les Dragons d'Alcala

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: And Ravel, also in Spanish mode, does likewise

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Bolero

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The bassoon as a voice of high seriousness, indeed desolate loneliness

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bax: Symphony No. 3: I. Lento moderato

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The eerie bassoon in its highest register

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: The Rite of Spring: opening

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky now draws on its lowest register, lonely and melancholy.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: The Firebird Suite (1919): Berceuse

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The bassoon as concerto soloist, avoiding all exaggeration

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Molter: Bassoon Concerto in G Minor: III. —

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The deep-voiced contra-bassoon, as a fairy-tale beast

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The French Horn under its woodwind hat

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Now a more prominent role, in a woodwind quintet from an earlier era

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: II. Andante con variazioni

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The horn in harmonious blend with strings in another quintet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Horn Quintet in E-Flat Major, K. 407: III. Rondeau

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The Trumpet as virtuoso soloist

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Brandenburg Concerto No. 2: III. Allegro assai

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The special brilliance of paired trumpets

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The ceremonial trumpet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Copland: Fanfare for the Common Man

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Trumpets and drums - an incomparable alliance

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Handel: Messiah: The Trumpet Shall Sound

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The versatility of the trumpet, from the most public to the most lonely

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Gershwin: Piano Concerto in F: II. Andante con moto - Adagio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Gershwin: An American in Paris / Stravinsky: The Soldier's Tale: The March

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bizet: Carmen Suite No. 2: II. Habanera

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trumpet as the voice of strength and courage

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bizet: Carmen Suite No. 2: IV. Toreador's Song

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Copland: Billy the Kid

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trumpet as character actor

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trumpet as the voice of God

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Mass in B minor: Et expecto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The birth of the trombone

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anonymous: Aenmerckt nu hier

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The birth of the brass as a family

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Gabrieli: Canzon a 12 in Double Echo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trombone in the eighteenth century

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Albrechtsberger: Trombone Concerto in B-Flat Major: III. Finale

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Liszt: Hosannah, S677/R409

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trombones become part of the orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 5: IV. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Wagner: Tannhauser: Overture

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The Trombone as caricaturist

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Pulcinella: No. 19: Vivo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: Concerto for Orchestra: IV. Intermezzo interrotto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The horn and the hunt

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The challenging horn of the Baroque

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rameau: Abaris ou les Boreades: II. Menuet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The scarcity of first-rate players in Handel's time

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Handel: Water Music: Suite No. 1 in F Major, HWV 348: Menuet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: The Firebird Suite (1919): Finale

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Horns and the sound of nobility

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Wagner: Tannhauser: Overture (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The special sound of the horn in its higher register

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Mass in B Minor: Quoniam tu solus sanctus

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The trumpet-like sound of massed horns

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 3: I. Kraftig (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The tuba - unfairly maligned?

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Symphony No. 6: III. Vivace

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The tuba perfectly cast by Ravel

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mussorgsky: Pictures at an Exhibition: Bydlo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introduction. And we begin with a bang.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Copland: Fanfare for the Common Man / Beethoven: Wellington's Victory, Op. 91 (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: At the opposite extreme is the triangle.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Liszt: Piano Concerto No. 1 in E-Flat Major: Scherzo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Categories of percussion: tuned and untuned. The side drum

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Nielsen: Clarinet Concerto (opening)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The tambourine. One of the oldest instruments in the world

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anonymous: Den hoboecken dans

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Even older is the originally oriental gong.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Ma Mere l'oye (Mother Goose): Laideronette

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Britten: Peter Grimes: Passacaglia, Op. 33b

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Satie: Gymnopedie No. 2

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire brushes

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Piano Concerto in G Major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Wood blocks

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Copland: Rodeo: IV. Hoe-Down

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Glinka: Jota aragonesa

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Monteverdi: Scherzi musicali: Damigella tutta bella

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A still earlier example from fifteenth-century Spain

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Traditional: Yo m'enamori d'un aire

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The birth of the bongo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bernstein: West Side Story (Symphonic Dances)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Verdi: II Trovatore: Act II: Anvil Chorus

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Moncayo: Huapango

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Onwards to the tuned percussion. First, the timpani

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strauss: Also sprach Zarathustra: Introduction

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 2, "Resurrection'": III. In ruhig fliessender Bewegung

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d'une nuit de Sabbat

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Taking advantage of tunability

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: Music for Strings, Percussion and Celesta: II. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: IV. Changing of the Guard

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens and the xylophone

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: Fossils

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel and the xylophone

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravel: Ma Mere l'oye (Mother Goose): Laideronette

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: III. First Intermezzo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introducing the vibraphone

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Steiner: The Treasure of the Sierra Madre: Narange dolce

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introducing the Hungarian cimbalom

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Traditional: Folk Dances

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The cimbalom and the symphony orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Kodaly: Hary Janos Suite : III. Song

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introducing the tubular bells

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Kodaly: Hary Janos Suite: II. Viennese Musical Clock

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A more "up-front" approach from Rodion Shchedrin

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: I. Introduction

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Introducing the celesta

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Magic, in the use of collective percussion

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ravels: Miroirs: V. La vallee des cloches

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Shchedrin: Carmen Suite: VI. Scene

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The traditionally subservient role of the harpsichord in the Baroque orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Brandenburg Concerto No. 2: II. Andante

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Stravinsky: Petrushka: Russian Dance

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The anti-Romantic piano as an integral part of the orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Keyboard instruments in the orchestra - the most powerful of them all:

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: Symphony No. 3, "Organ": II. Presto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: But things in Handel's day were very different.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Handel: Organ Concerto in B-Flat Major, Op. 4, No. 3: IV. Gavotte

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The organ is difficult to classify.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: An unexpected, organ-related guest

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Boismortier: Concerto pour Zampogna: III. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Peasant-fancying… and a touch of the roaming cowboy

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Schoenberg: Les Miserables: Drink with Me

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: German Dance, K. 603, No. 3

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 4: I. Bedachtig, nicht eilen

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Anderson: The Typewriter / Satie: Parade

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strauss: Don Quixote: Variation VIII

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rodrigo: Concierto de Aranjuez: III. Allegro gentile

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Seeger / Hays: Washington Breakdown

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Steiner: The Treasure of the Sierra Madre: Packing Up

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Romeo and Juliet: Act II: No. 14

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Steiner: The Treasure of the Sierra Madre: EI Desayuno

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The bongos and the congas and a whole wealth of other drums from Africa and Central America

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Evening Raga: Bhapoli

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Ferre: Paris cancaille

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Karas: The Third Man: Theme

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Traditional: Folk Dances

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Albeniz: Rondena

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Traditional: Svetit Mesiats

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Debussy: Nocturnes: III. Sirenes

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Instruments and the imitation of nature. The clarinet as cuckoo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: The Cuckoo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The flute as an all-purpose aviary

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: The Aviary

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The oboe as duck

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Prokofiev: Peter and the Wolf: The Duck

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The recording of reality. Does it work as well?

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Respighi: The Pines of Rome: III. The Pines of the Janiculum

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The recording of reality electronically reborn in new guises

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven turns avian: cuckoo, nightingale, and quail

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Some importable casting: the violin as braying donkey

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: Persons with Long Ears

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A truly orchestral hee-haw to be reckoned with

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mendelssohn: A Midsummer Night's Dream: Overture

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A thunderstorm in a million

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The instrumental depiction of a silent world

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: The Aquarium

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens' menagerie takes a curtain call

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Saint-Saens: The Carnival of the Animals: Finale

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The grouping of instrumental families. An additive approach. First, two violins.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bartok: 44 Duos: IV. Midsummer Night Song

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A greater contrast, of both pitch and character, violin and viola

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Duo for Violin and Viola in B-Flat Major, K. 424: finale: variations 1 and 2

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Arrival at the standard string trio: violin, viola and cello

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Schubert: String Trio in B-Flat Major: III. Menuetto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The string quartet: two violins, viola and cello

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: String Quartet in F Major, Op. 18, No. 1: III. Scherzo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The string quintet - when the extra instrument is a second viola

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: String Quintet No. 5 in D Major, K. 593: II. Adagio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The string quintet - when the extra instrument is a second cello

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Schubert: String Quintet in C Major: III. Scherzo

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The string sextet: two violins, two violas, and two cellos

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brahms: String Sextet No. 1 in B-Flat Major: II. Andante ma moderato

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The string octet: the standard string quartet times two

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mendelssohn: Octet in E-Flat Major, Op. 20: movement 1

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Double the string octet: a fully fledged string orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mendelssohn: String Symphony No. 2: III. Allegro vivace

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The massed strings of a symphony orchestra

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Vaughan Williams: Fantasia on a Theme of Thomas Tallis

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Contrasts of pitch and instrumental 'colour' in the woodwind section

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Theme

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: In the First Variation it's the horn that gets the lion's share

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: In Variation Two the torch is handed to the bassoon

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: In Variation Three the oboe leads

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Variation Four: conversation before returning to a solo-dominated texture

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: And Variation Five is dominated by the clarinet

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The next to be featured is the virtuoso flute.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 6

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Individual farewells and a closing chorus

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 7

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A mixed group: clarinet, bassoon, horn, string quartet, and double-bass

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Schubert: Octet in F Major, D. 803: III. Trio

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The early classical symphony orchestra of Haydn and Mozart

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mozart: Symphony No. 29 in A Major, K. 201: IV. Allegro con spirito

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Strings, wind, but no brass. What Haydn and Mozart never knew

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Gabrieli: Canzon 28

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven's Fifth: two horns, two trumpets, and three trombones join the team

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven: Symphony No. 5: IV. Allegro

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Beethoven changed the face of the symphony and the orchestra forever.

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The cult of orchestral elephantiasis reaches its peak

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Brian: Symphony No. 1, "Gothic": VI. Te ergo quaesumus

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: When large doesn't necessarily mean loud: Debussy

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Debussy: Images: I. Gigues

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The ondes martenot:

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Messiaen: Turangalila Symphony: II. Chant d'amour I

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: The advent of the "early music" movement brings a new vitality and freshness

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Lully: Ballet de Xerxes: Gavotte en rondeau

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Computer and synthesiser: friends or foes?

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Concerto in D Minor for two violins: II. Largo ma non tanto

Jeremy Siepmann

Jeremy Siepmann

Instruments of the Orchestra: Bach: Mass in B Minor: Dona nobis pacem

Jeremy Siepmann

Jeremy Siepmann

Try TIDAL for free. Cancel anytime. | Start Free Trial
Get Started
  • Start Free Trial
  • Download TIDAL
  • Pricing & Plans
  • Transfer Music
  • Supported Devices
  • Get Support
Discover TIDAL
  • About
  • For Music
  • For Artists
  • Culture
  • Magazine
  • Originals
  • Rising
  • TIDAL Connect
Account
  • Sign Up
  • Redeem Voucher
  • Redeem Giftcard
  • Manage Account
Company
  • What is TIDAL?
  • Partners
  • Careers
  • Press
Start Free Trial
TIDAL is an artist-first, fan-centered music streaming platform that delivers over 110 million songs in HiFi sound quality to the global music community.
© 2025 TIDAL Music AS
  • Privacy Notice
  • Terms and Conditions
  • Cookie Settings
  • Accessibility Statement
  • Contact
© 2025 TIDAL Music AS