Simon Reynolds on pop and rock history’s obsession with disguise.
Forty years on, the Clash’s triple-LP is sweeping, experimental, inane, heartrending — and weirdly prescient to our streaming age.
Before the stadium tours, MTV and Eno, the world’s biggest band found themselves and their widescreen sound in the heady post-punk era.
Brilliantly out of step, the rock provocateur architected revolutionary sounds with the Stooges and Bowie.
A dive into the unforgiving anti-music that Genesis P-Orridge helped to define.
Both enamored and wary of stardom, David Bowie featured his first pop landmark on his second LP.
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