U.K.-born, California-raised Antony Hegarty felt like the consummate outsider until coming face to face with the image of Boy George on the cover of the Culture Club's 1982 debut album, Kissing to Be Clever. Eight years later, Hegarty relocated to New York City and found a world more accepting of avant-garde sensibilities and a sexually ambiguous nature. An early incarnation was the cabaret ensemble Blacklips, modeled after Blue Velvet-era Isabella Rossellini and the drag queen who graced the cover of Soft Cell's 1982 single "Torch."
Antony and the Johnsons' fourth studio album, Swanlights, arrived the following year. In 2011, the album's publisher, Abrams, issued a companion edition of Swanlights collected in book form, with Antony's paintings, drawings, photography, collages, song lyrics, and writings. In 2012, the band released Cut the World, a symphonic retrospective arranged and performed in collaboration with the Danish National Chamber Orchestra. It featured 11 tracks from their catalog and the title cut, a new song written for Robert Wilson's stage production The Life and Death of Marina Abramovic. In 2006, Hegarty collaborated with video artist Charles Atlas on a performance piece called Turning, which combined a live performance by Antony and the Johnsons with video projections created by Atlas and featuring women who had struggled with self-image and sexual identity in their lives. Atlas later made a documentary about the show, simply titled Turning, and in 2014 the film's soundtrack album was released in tandem with a DVD edition of the film. ~ James Christopher Monger