Dan "The Automator" Nakamura is a San Francisco-based hip-hop producer whose work with "Kool" Keith Thornton on the latter's Dr. Octagon project shot him to unlikely acclaim in 1996. With a series of ever more elaborate conceptual projects since then, Nakamura's wildly imaginative productions and offbeat sense of humor made him one of the leading figures in the underground renaissance of alternative rap in the late '90s.
A classically trained violinist in his younger days, Nakamura instead fell in love with Kraftwerk and old-school hip-hop, as well as R&B and rock & roll. He began DJing as a teenager but was discouraged by the advanced skills of some younger Bay Area DJs (i.e., the ones who would go on to form the legendary Invisibl Skratch Piklz collective). Nakamura instead turned his attention to crafting his own productions, accepting gigs around the Bay Area through the early '90s, which eventually culminated in the Dr. Octagon project in 1995. A lo-fi fusion of hip-hop beats and bizarre atmospherics on par with some of the weirder exports from the U.K. trip-hop scene, Dr. Octagon was released by the tiny Bulk Recordings label in 1995 and achieved a level of overground success increasingly rare in hip-hop's pop-monopolized marketplace when it was reissued by DreamWorks a year later. Propelled by Thornton's pornographic rhymes and mind-bending meter, the record owed its success in equal measure to Nakamura's inventive production, which wed loping, downtempo rhythms with, by turns, weeping violins, space-born bleeps and wiggles, and heavy metal guitar riffs. Not Nakamura's freshman effort by a long shot, the two had actually worked together (with Thornton appearing as Sinister 6000) on Nakamura's debut Automator release, the Better Tomorrow EP, appearing on SF's Ubiquity label in early 1996. Nakamura's studio, The Glue Factory, also served as the workshop for recordings by Mo' Wax's DJ Shadow and for various artists on the latter's Solesides label (most notably on Latyrx's The Album).
Despite the fact there were many promises for a solo album, titled Omakase, label issues caused it to be shelved, but in 2004, the Automator teamed up with Daryl Palumba to form Head Automatica (at least in its initial conception) and release Decadence. In 2006, he produced the tracks for 2K7, the soundtrack to the video game of the same name, which featured performances from E-40, Ghostface Killah, and Slim Thug (though of course an instrumental version was also offered). ~ Sean Cooper & Steve Huey