Texas guitarist Gary Clark, Jr. has been compared to guitar icons like Jimi Hendrix and Stevie Ray Vaughan, and his playing is a powerful and inspired mix of blues, contemporary soul, and hip-hop. When he's on a roll, he sounds like nothing so much as a natural hybrid of both the past and the future of the blues. Born and raised in Austin, Clark first picked up a guitar at the age of 12 and spent his teens playing whatever gig he could get in the Austin area. He eventually met Clifford Antone, promoter and owner of Antone's, the city's premier blues club, who began featuring Clark at his venue. An amazing live performer, Clark soon became one of the brightest players on Austin's blues and rock scene. He released an independent album, 2005's Tribute, followed by a pair of self-produced albums in 2008 for Hotwire Unlimited, 110 and Worry No More. An EP, Gary Clark, Jr., also appeared from Hotwire in 2010.
But Clark was far from just a one-trick-pony guitar gunslinger. He could also sing, write, and arrange. He wrote the original score for the film Full Count and appeared as an actor in John Sayles' 2007 film Honeydripper. In 2010, Clark was selected by Eric Clapton to perform at the Crossroads Guitar Festival, and a video release of the show featuring Clark led to a recording deal with Warner Bros. Clark was soon in the studio working on his major-label debut. An EP called Bright Lights was released in 2011 in advance of the album, Blak and Blu, which appeared in the fall of 2012. A Top Ten hit, it earned him a Grammy award in the Best Traditional R&B Performance category for "Please Come Home." Clark's next release was the impressive two-disc Live, recorded during an 18-month-long tour behind Blak and Blu; the album better represented his wild, impassioned, and often elegantly graceful live sets.
In 2018, he joined the all-star guest lineup on Tom Morello's collaborative project The Atlas Underground, lending vocals and guitar to the track "Where It's At Ain't What It Is." His fifth studio album, This Land, followed in March 2019, reflecting the political landscape of the time through the perspective of a black American living in Texas. ~ Steve Leggett