Common (originally Common Sense) has been one of the most highly influential figures in rap music, keeping the sophisticated lyrical technique and flowing syncopations of jazz-rap alive in an era when the mainstream and hardcore have increasingly threatened to obliterate everything in its path. His outward-looking, nimbly performed rhymes and political consciousness haven't always fit the fashions of rap trends, but his albums have been praised by critics, and he achieved mainstream popularity with a handful of gold-selling recordings. Additionally, during the 2000s and 2010s, he's juggled his recording career with a series of high-profile acting roles.
Common was born Lonnie Rashied Lynn on the South Side of Chicago. He honed his skills to the point where — performing as Common Sense — he was able to catch his first break, winning The Source magazine's Unsigned Hype contest. He debuted in 1992 with the single "Take It EZ," which appeared on his Relativity-released debut album, Can I Borrow a Dollar?; further singles "Breaker 1/9" and "Soul by the Pound" helped establish his reputation in the hip-hop underground, although some critics complained about the record's occasional misogynistic undertones. Common Sense subsequently wound up on Ruthless Records for his 1994 follow-up, Resurrection, which crystallized his reputation as one of the underground's best (and wordiest) lyricists. The track "I Used to Love H.E.R." attracted substantial notice for its clever allegory about rap's descent into commercially exploitative sex-and-violence subject matter, and even provoked a short-lived feud with Ice Cube. Subsequently, Common Sense was sued by a ska band of the same name, and was forced to shorten his own moniker to Common; he also relocated from Chicago to Brooklyn.
With his name popping up in all the right places, Common landed a major-label deal with MCA, and brought on Roots drummer ?uestlove as producer for his next project. Like Water for Chocolate was released in early 2000 and turned into something of a breakthrough success, attracting more attention than any Common album to date (partly because of MCA's greater promotional resources). Guests this time around included Macy Gray, MC Lyte, Cee-Lo, Mos Def, D'Angelo, jazz trumpeter Roy Hargrove, and Afro-beat star Femi Kuti (on a tribute to his legendary father Fela). Plus, the singles "The Sixth Sense" and "The Light" (the latter of which earned a Grammy nomination for Best Rap Solo Performance) earned considerable airplay. Following that success, Common set the stage for his next record with an appearance on Mary J. Blige's No More Drama in early 2002. He issued his most personal work to date with Electric Circus, a sprawling album that polarized fans, in December of that year. Shortly thereafter, he initiated an acting career that began with a small role on the television series Girlfriends.
For The Dreamer/The Believer (2011), released through Warner Bros., Common worked exclusively with longtime associate and friend No I.D. Much of the attention was directed at "Sweet," a track on which Common took swipes at rapper Drake. The same year, the AMC series Hell on Wheels debuted with Common as one of its main characters, emancipated slave Elam Ferguson. After the show's third season, Common released his tenth album — his first for Def Jam — titled Nobody Smiling (2014). Much of its content focused on the destructive violence that was occurring within his hometown. His fourth Rap Albums number one, it debuted at number six on the Billboard 200 and was also his fourth consecutive album nominated for the Best Rap Album Grammy. Featured in the Ava DuVernay-directed Selma, Common co-wrote and performed the film's theme, "Glory," with John Legend. At the 87th Academy Awards, it won the Oscar for Best Original Song, and it also won the 2016 Grammy for Best Song Written for Visual Media. Following additional roles in films such as Run All Night and Suicide Squad, Common released Black America Again (2016), its first single and title track a fiery examination of institutionalized racism and police brutality with a refrain from Stevie Wonder. Bilal, Marsha Ambrosius, and BJ the Chicago Kid were among the album's other contributors. ~ Steve Huey & Andy Kellman